(You can read the post I was responding to here)
As one of these newly emerging youth voters, and also am a huge fan of shows like The Daily Show and The Colbert Report, I'd like to expand a little about what you said when you said "The next generation is deadly serious about this country but they also manage to have fun with it. That's the Millennials' real message, it seems to me." It's something a little more serious than fun: it's humor. See, one of the cores of humor is perspective: in order for things like irony or sarcasm to work, the joke implicitly creates perspective towards the truth. If you can remember the terrible rip-snorting fun that was the 2006 Press Correspondent's Dinner with Stephen Colbert, you'll know that it was funny (or really not funny, depending on your perspective) precisely because of the truth that was imbedded in every joke.
I'd like to point out that both Barack Obama and John McCain were frequent guests on the Daily Show (McCain was at one point--and may still be--the most frequent guest of the Daily Show). They both share an ability to laugh at themselves, to poke fun, to show a little bit of perspective. As the campaign marched forward, I was afraid John McCain had lost it completely, but at that dinner recently he showed himself able to. And how did he appear at that dinner? A lot more in touch with the truth than he has been lately. Comedy requires that self-awareness that you and I both look for in a candidate, and it also means a candidate has to give up their self-importance a little in order to make a self-effacing joke. After all, Stephen Colbert's Press Correspondent's dinner was far more effective than if Jon Stewart had done it because Colbert made himself an image of mockery, and then included Bush and others into that mockery. Note that Nancy Pelosi has, on a couple occasions, warned Congressmen not to appear on the Colbert Report lest they get a mocking that they can't recover from.
I want a candidate who'll have a sense of humor. I mean, I wouldn't choose humor over healthcare, but at the same time, the ability to laugh and joke and break the ice, to see oneself clearly and have perspective on the world around us, to be able to burst self-importance and relax the walls a bit--that ability gives me a lot of faith in their ability to pass healthcare. And in this pompous age of ideology, vitriol, and hatred from both parties toward each other, maybe the future of both parties needs to have a lot more humor. Like Reagan deftly joking about his age, Bill Clinton's ability to connect with people (he hasn't seemed very funny lately, though). Even Nixon's memorable "Checkers" joke separated him from a pact of less worthy candidates. I'm not saying Nixon was a great candidate, but if you look at the way that Nixon and Mao were joking around together, you'll see why it was that it took Nixon to go to China.
Of course, in 2008, there is a limit to the sense of humor I'll take. As someone who wanted McCain to be a different candidate than he turned out to be, I feel pretty "punk'd."
A blog about the future of art, the future of politics, and the conversation that makes up our culture.
Showing posts with label daily show. Show all posts
Showing posts with label daily show. Show all posts
Saturday, October 18, 2008
Monday, September 8, 2008
Words, Words, Words, Words, Words II
If confusion is the sign of the times, I see at the root of this confusion a rupture between things and words, between things and the ideas and signs that are their representation.
The quotation above is from Theater and Its Double, by Antonin Artaud. To a devoted fan of The Daily Show, I sympathize with that statement. We watch the political cycle today, and it feels as though words have become meaningless. Take, for instance, "time line." The Bush Administration, unhappy with the concept of a "time line," branded it as "cutting and running," saying that an "arbitrary time lines" would shackle them from responding to conditions on the ground, and would embolden the terrorists.
Then Obama laid out his 16 month time line, and very shortly afterward, the Prime Minister of Iraq echoed it. And the Bush Administration said that they would begin drawing down troops, to end in about sixteen months.
Was this a time line? No, it was a "time horizon."
To anyone with an understanding of the accepted meaning of words, that's clearly some jiggery-pokery. Both of them imply the same thing. But the point is that the phrase "time line" has become an ideological symbol, rather than a linguistic symbol. The tags "pro-choice" and "pro-life" mean the same thing; certainly the ambiguous tag "change" has. "Torture," "message force multipliers," "patriotism", etc. are words which have their original meaning erased, and replaced with an ideological meaning.
Take Mitt Romney (and others') use of the word "liberal." He is not talking about a person whose viewpoints are slightly left of average, he is talking about a charicature: the ideological imprint of liberal in the conservative mind (namely, a tax-and-spend elitist plutocrat with little interest in family values or faith).
This is dangerous, because it corrodes something even more fundamental than our politics: it corrodes our language itself. And, in fact, it corrodes our thought.
Intelligence is often distinguishable from unintelligence by the proper use of symbolic logic. If the brain can assemble symbols in a correct fashion, it answers questions and creates solutions better. If we confused the internal logic of our brain, muddling facts and decaying the links between language and thought, we are corroding our thought-process. This is a fairly extreme case, but in point of fact, if you cannot clearly interpret facts, and if the landscape of your assumptions are ideological rather than reality based, then you cannot properly think. And if you cannot properly communicate, you cannot properly exchange ideas and thoughts. Corroding language corrodes the marketplace of ideas.
This phenomenon can be seen in totalitarian societies: a perfect example is the Communist world. Take from Havel:
From being a means of signifying reality, and of enabling us to come to an understanding of it, language seems to have become an end in itself.
And further:
When we lose touch with reality, we inevitably lose the capacity to influence reality effectively. And the weaker that capacity is, the greater our illusion that we have effectively influenced reality.
He illustrates these points (in the essay On Evasive Thinking) very clearly when he relates the story of a window-sill which breaks off, falls, and kills a person. This has happened many times, he writes, and a newspaper person writes an article which raises the question of whether better care must be taken of window sills, but then proceeds to pat the communist regime on the back for being the sort of free and open place where one can question to state's upkeep of window-sills. The newspaper is forced to contort and bend over backwards to match the ideology.
I say all of this as a prologue for an excellent Czech play I saw yesterday on this very subject. It was called Tika Tika Politika (translated as Ticks Ticks Politics). It was a four-part experimental vocal score made up of syllables and proto-language (in the first part, for instance, it is entirely repetitions of different syllables of Politika) in such a way as to render all of the vocal language meaningless.
This is, to a certain degree, the way the words in our political language have been treated. In an era of talking points, the constant repetition of ideologically charged phrases redefines those phrases permanently. The only way to reverse this is to remove the content of the language entirely, and to analyze the other communication provided.
In Tika Tika Politika, the analysis comes mostly through body-language and tonality; seeing how they say what they say is the important part. You learn to follow the narrative outside of the message. In real life, this takes a strong ironic mind, and you need all the help you can get.
Which is why, right now, I'm watching the Daily Show.
See Also:
artaud,
conversationalism,
daily show,
ideology,
language,
physical theater,
politics,
tika tika politika,
vaclav havel
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