Friday, June 3, 2011

RESPONSE: El Sistema, Theater of the Oppressed, and Big Ideas of Arts Education

Jennifer Kessler at Createquity (see Ian I read the byline this time!) has a great history of the El Sistema orchestral movement from Venezuela:
El Sistema is a system of youth orchestras in Venezuela designed to save the lives of under-served children through intensive and fun participation in music. Founded in 1975 by a visionary man named Jose Antonio Abreu (the former Venezuelan Advisor of the National Economic Council and the Minister of State for Culture), El Sistema has become a paradigm for social action through quality music-making.
It's a great look at a bold cultural initiative from a different part of the world. It reminds me a lot of its theatrical equivalent, Augusto Boal's Theater of the Oppressed that grew in Peru in 1971 (excellent book here) that became incorporated into a radical "arts literacy" education program.

Boal's writings on education were very formative in terms of my own views on arts education: he believed in starting from empowering students to use the forms of art at their disposal to communicate their thoughts and emotions, before needing to teach them specific forms.

Post-revolutionary Latin America is a world that I confess to not know much about, but it seems like it was an amazing time to be an out-of-the-box thinker. You know, before things turned sour.

LOCAL: DUMBO with Free WiFi

Dumbo is one of my favorite parts of the city. And it just got a little bit more favorite:

In the Dumbo neighborhood, the improvement district teamed with Two Trees Management Company, which owns about a dozen buildings in the neighborhood. Two Trees spent about $65,000 to have antennas and other equipment installed by the nonprofit organization NYCwireless, which has placed hot spots in several places around the city.


I think things like wifi networks are the technological equivalent of investments in parks and plazas.

Thursday, June 2, 2011

NEWS: Student Loan Reform!

An intriguing bit of news:

A 2010 GAO studied showed that federal aid to students at for-profit colleges had tripled over a five-year period from $8 billion to $24 billion and now accounts for 23% of the total aid given out, even though enrollment at for-profit schools only accounts for 8% of college students. Meanwhile, studies continue to show that an inordinately small number of students at these schools ever graduates. In an effort to cut back on the number of people left with mammoth amounts of student loan debt they can't pay back, the U.S. Dept. of Education has issued a new edict: Show us your college actually prepares students for gainful employment or risk losing out on that lovely loan money.


The official statement:

To qualify for Federal aid, the law requires that most for-profit programs and certificate programs at nonprofit and public institutions prepare students for gainful employment in a recognized occupation. Under the regulations introduced today, a program would be considered to lead to gainful employment if it meets at least one of the following three metrics: at least 35 percent of former students are repaying their loans (defined as reducing the loan balance by at least $1); the estimated annual loan payment of a typical graduate does not exceed 30 percent of his or her discretionary income; or the estimated annual loan payment of a typical graduate does not exceed 12 percent of his or her total earnings. While the regulations apply to occupational training programs at all types of institutions, for-profit programs are most likely to leave their students with unaffordable debts and poor employment prospects.


Joke response: I guess that means there's no financial aid for arts students anymore.

Serious response: this sounds great great. This may be the first time that we actually examine college spending as compared with future income in a systemic way.

How We Make The Case: Additions

A while back, I rounded up tactics for making the case for the arts in the face of cuts and criticism. A couple blogs have put forward other strategies, which I would add under the heading:

REASONS WHY CUTTING THE ARTS WON'T HELP

IT'S TOO SMALL A PART OF THE BUDGET
Cutting the arts doesn't mean much from the perspective of the budget, because we're such a tiny slice of the arts. In fact, as Ian Moss just put it, we're trace ingredients in the sausage factory of spending. Although people apparently don't think so, we're tiny -- it becomes apparent when you look at, say, the taxpayer's receipt. (I did explore this previously).

IT'S OFTEN COUNTERPRODUCTIVE
For instance, cutting arts funding in Kansas cost the state $1.2 million.


UPDATE: Whoops! I forgot that Createquity is now a team effort -- it was actually Aaron Andersen who coined the bon mot I quoted above. I guess now would be a good time to mention that the new writers at Createquity are doing a really great job?

Wednesday, June 1, 2011

PLUG: Mason Jar Music

I only just came across these people, but they seem pretty damn awesome:



Seems like they provide a pretty unique opportunity to musicians -- connecting them with ensembles helps promote music of breadth and resonance, rather than music of narrow sound.

PLUG: Blanck Verse

A scene:

BLOG READER
Hey Guy!

GUY YEDWAB
Uh, yeah?

BLOG READER
Your blog is great and all, but I'm looking for a blog that's more of a personal look at life in New York. You know, sort of a human, vignette-style look at life in the big city.

GUY YEDWAB
How about a blog written by a sparkling young lady living in New York, recording the human interactions between individuals that separate them from the faceless mass of strangers that we normally come across?

BLOG READER
Hey, that's exactly what I'm looking for!

GUY YEDWAB
I think I can recommend you to my friend Kim Blanck, who's a great theatermaker but also keeps a great blog named Blanck Verse that captures a lot of those great moments in lucidly written prose.

BLOG READER
Thanks! It's like you read my mind!

GUY YEDWAB
You're welcome.

NEWS: And Lack of Context...

The NYTimes is reporting that the Pentagon is now going to consider cyber attacks formal acts of war:

Several administration officials, in comments over the past two years, have suggested publicly that any American president could consider a variety of responses — economic sanctions, retaliatory cyberattacks or a military strike — if critical American computer systems were ever attacked.

The new military strategy, which emerged from several years of debate modeled on the 1950s effort in Washington to come up with a plan for deterring nuclear attacks, makes explicit that a cyberattack could be considered equivalent to a more traditional act of war. The Pentagon is declaring that any computer attack that threatens widespread civilian casualties — for example, by cutting off power supplies or bringing down hospitals and emergency-responder networks — could be treated as an act of aggression.


The article completely fails to mention that this is not idle future-think. After all, the United States won't deny that they've used it:

In an interview for a TV documentary about cyber security, Deputy Defense Secretary William Lynn twice failed to address reports that the US was a partner in the internet-borne attack.

The presenter of CodeWars: America’s Cyber Threat, asked him “was the US involved in any way in the development of Stuxnet?”
His initial response was to discuss the general problem of tracing cyber attacks.

“The challenges of Stuxnet, as I said, what it shows you is the difficulty of any, any attribution and it’s something that we’re still looking at, it’s hard to get into any kind of comment on that until we’ve finished our examination,” he said.

“But sir, I’m not asking you if you think another country was involved,” the presenter replied, “I’m asking you if the US was involved: if the Department of Defense was involved.”

Mr Lynn then flatly refused to answer.


If it's true (which it may not be -- the DoD might just want Iran to think that it is), then we've (by our own logic) committed an act of war against Iran.

Or how about this recent news story:

On Saturday, Lockheed Martin released a statement confirming the attack, which it described as "significant and tenacious." But it said its information security team "detected the attack almost immediately and took aggressive actions to protect all systems and data."

As a result, the company said, "our systems remain secure; no customer, program, or employee personal data has been compromised."

Hackers reportedly exploited Lockheed's VPN access system, which allows employees to log in remotely by using their RSA SecurID hardware tokens. Attackers apparently possessed the seeds--factory-encoded random keys--used by at least some of Lockheed's SecurID hardware fobs, as well as serial numbers and the underlying algorithm used to secure the devices.


In other words, cyber attacks are now an act of war, and we've both committed and received those attacks in the last year. While we're already fighting three wars, we've had acts of war exchanged with at least one other country.

All context that is missing from the NY Times article.

(UPDATE: Just after posting this I read this article about the arsenal the Pentagon is putting together to fight cyber warfare).